ROBIN NOORDA
Robin Noorda started his study audiovisual design, photography and animation at the Gerrit Rietveld Academie (Amsterdam) in 1978 and was admitted to the post graduate Rijks Academie (Amsterdam), but thrown out as his free lance career already took too much time.
He continued with a study composition, minimal- and electronic music at the Centrum of Electronic Music studio (Hilversum), and internships at the Toonder Studio and the Dutch public television broadcaster NOS.
In the 80’s he was designer and animator for the NOS (Dutch public broadcaster) and the pioneering animator of computer animation at Antics, the first CGI studio in the Netherlands. He was in 1986 one of the three co-founders of the ‘Tropism’ art movement.
He traveled several times through Mongolia, and produced a photo exhibition, a photo book and the documentary ‘Shivering Beauty - Soundscape of Mongolia’.
He was nominated for a 'Gouden Kalf' and winning many awards at a number of international film festivals as director of the stop-motion animation movies ‘Red-End and the Seemingly Symbiotic Society' and 'Red-end and the Factory Plant’, 'Rebirth of Venus' and 'Lunatic'.
Next to documentary and animation, he also works with experimental photography technics. He initiated and curated the travelling exhibition ‘Photosynthesis’ and he produced infrared photography, Kirlian photograms, X-ray photograms, UVIVF photography and scanning electron microscopy photography. Currently he focuses on 360º panorama's he calls Hyperbolics and VR projects.
Interactive light installations, made within the Tropism, have been at light festivals in the Netherlands, United Kingdom, Belgium, Sweden, China, Singapore and Australia.
Since 1986 he gave workshops and lectures at a number of academies, was commission member of the Dutch and Flemish film fund and gave workshops and lectures at the Netherlands Film Academy.
Complete CV click here
Robin Noorda started his study audiovisual design, photography and animation at the Gerrit Rietveld Academie (Amsterdam) in 1978 and was admitted to the post graduate Rijks Academie (Amsterdam), but thrown out as his free lance career already took too much time.
He continued with a study composition, minimal- and electronic music at the Centrum of Electronic Music studio (Hilversum), and internships at the Toonder Studio and the Dutch public television broadcaster NOS.
In the 80’s he was designer and animator for the NOS (Dutch public broadcaster) and the pioneering animator of computer animation at Antics, the first CGI studio in the Netherlands. He was in 1986 one of the three co-founders of the ‘Tropism’ art movement.
He traveled several times through Mongolia, and produced a photo exhibition, a photo book and the documentary ‘Shivering Beauty - Soundscape of Mongolia’.
He was nominated for a 'Gouden Kalf' and winning many awards at a number of international film festivals as director of the stop-motion animation movies ‘Red-End and the Seemingly Symbiotic Society' and 'Red-end and the Factory Plant’, 'Rebirth of Venus' and 'Lunatic'.
Next to documentary and animation, he also works with experimental photography technics. He initiated and curated the travelling exhibition ‘Photosynthesis’ and he produced infrared photography, Kirlian photograms, X-ray photograms, UVIVF photography and scanning electron microscopy photography. Currently he focuses on 360º panorama's he calls Hyperbolics and VR projects.
Interactive light installations, made within the Tropism, have been at light festivals in the Netherlands, United Kingdom, Belgium, Sweden, China, Singapore and Australia.
Since 1986 he gave workshops and lectures at a number of academies, was commission member of the Dutch and Flemish film fund and gave workshops and lectures at the Netherlands Film Academy.
Complete CV click here