ROBIN NOORDA
Robin Noorda (1959) started his study audiovisual design, photography and animation at the Gerrit Rietveld Academie (Amsterdam) in 1978 and was admitted to the post graduate Rijks Academie (Amsterdam), but thrown out as his free lance career took too much time.
He continued with a study composition, minimal and electronic music at the Centrum of Electronic Music Studio (Hilversum), and internships at the Toonder Studio and the Dutch public television broadcaster NOS.
In the 80’s he was designer and animator for the NOS and the Dutch pioneer of computer animation at the first CGI studio in the Netherlands, the Antics Studio Amsterdam. He was one of the co-founders of the ‘Tropism’ art movement.
He traveled several times through Mongolia, and produced an exhibition, a photo book and the documentary ‘Shivering Beauty - Soundscape of Mongolia’.
Recently he was the director of two stop-motion animation movies ‘Red-End and the Seemingly Symbiotic Society and Red-end and the Factory Plant’, winning several awards at a number of international film festivals.
Next to documentary and animation, he also works with experimental photography technics. He initiated and curated the travelling exhibition ‘Photosynthesis’ and he produced infrared photography, Kirlian photograms, X-ray photograms, UVIVF photography and scanning electron microscopy photography. Currently he focuses on 360º panorama's he calls Hyperbolics and VR projects.
Interactive light installations, made within the Tropism, have been at light festivals in the Netherlands, Sweden, China, Singapore and Sydney.
Since 1986 he gave workshops and lectures at a number of academies, was commission member of the Dutch and Flemish film fund and currently is connected to the Netherlands Film Academy and the VRAcademy Amsterdam.
Complete CV click here
Robin Noorda (1959) started his study audiovisual design, photography and animation at the Gerrit Rietveld Academie (Amsterdam) in 1978 and was admitted to the post graduate Rijks Academie (Amsterdam), but thrown out as his free lance career took too much time.
He continued with a study composition, minimal and electronic music at the Centrum of Electronic Music Studio (Hilversum), and internships at the Toonder Studio and the Dutch public television broadcaster NOS.
In the 80’s he was designer and animator for the NOS and the Dutch pioneer of computer animation at the first CGI studio in the Netherlands, the Antics Studio Amsterdam. He was one of the co-founders of the ‘Tropism’ art movement.
He traveled several times through Mongolia, and produced an exhibition, a photo book and the documentary ‘Shivering Beauty - Soundscape of Mongolia’.
Recently he was the director of two stop-motion animation movies ‘Red-End and the Seemingly Symbiotic Society and Red-end and the Factory Plant’, winning several awards at a number of international film festivals.
Next to documentary and animation, he also works with experimental photography technics. He initiated and curated the travelling exhibition ‘Photosynthesis’ and he produced infrared photography, Kirlian photograms, X-ray photograms, UVIVF photography and scanning electron microscopy photography. Currently he focuses on 360º panorama's he calls Hyperbolics and VR projects.
Interactive light installations, made within the Tropism, have been at light festivals in the Netherlands, Sweden, China, Singapore and Sydney.
Since 1986 he gave workshops and lectures at a number of academies, was commission member of the Dutch and Flemish film fund and currently is connected to the Netherlands Film Academy and the VRAcademy Amsterdam.
Complete CV click here
